Susan Thomas

Works

Last Voyage: Poems of Giovanni Pascoli
(Red Hen Press, forthcoming)
A strong influence on the poems of Cesar Pavese, as the father of the image story, Pascoli was popular in his time (1858-1913) as a classicist and narrative poet. He has largely been neglected by modern poets until this translation of his more lyric poems and his long Homeric poems.

Voice of the Empty Notebook
(Finishing Line Press, 2007)

This chapbook was a finalist in both The Center for Book Arts and Finishing Line Press contests. Part of this chapbook was nominated for a Pushcart Prize by Runes.

Three poems from Voice of the Empty Notebook won the Iowa Poetry Award from The Iowa Review, (“The Empty Notebook and Code Alert”, “The Empty Notebook and Denial”, and “The Empty Notebook Interrogates Itself”).

State of Blessed Gluttony
(Red Hen Press, 2004)

This collection won the Benjamin Saltman Prize.

Several of the poems in this collection won individual prizes: Discovery/The Nation (“Laurel and Hardy and the Queen of Heaven at Waterloo”, “Love Song of the Loon”, and “After Disappearance”), Spoon River Poetry Review (“Murdered Girl”, “Welcome to the Hotel Ukrainia”, and “Annunciation”).

The Hand Waves Goodbye
(Main Street Rag, 2002)

The publisher printed this chapbook as a result of their 2001 chapbook contest.

Several of the poems in this collection won prizes from Tennessee Writers’ Alliance, (“Saturday Morning at the River Run Café” and “Brassai Photographs”), Glimmertrain (“Sea Cure”), Delta Review (“French Toast”) and Atlanta Review (“Dear Ulysses”).

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Selected Works

Poems in translation
Last Voyage: Poems of Giovanni Pascoli
Selected poems of Giovanni Pascoli translated from the Italian by Susan Thomas, Richard Jackson and Deborah Brown
Poetry
Voice of the Empty Notebook
Incredibly original... by turns ironic, tragic, comic... paradoxical gusto of pathos
--Richard Jackson
State of Blessed Gluttony
Full of meaty poems and wry surprises... Thomas’ reach is broad and daring.
--Maxine Kumin
The Hand Waves Goodbye
This delightful—and long overdue—collection shows Susan Thomas at her delicious best.
--Jane Shore